Sabtu, 08 September 2007

MAX MAVEN

Mindreader and showman Max Maven seems to know what people are thinking. His shows are shrouded in an aura of mystery, which both baffles and delights audiences. Max has toured extensively, performing around the world and on hundreds of television and radio programs. In 1998, Max developed and starred in a Canadian TV series, The MAXimum Dimension, an educational show about math. He has received numerous awards from the Society of American Magicians and the International Brotherhood of Magicians. Max is well known among professional magicians for developing new illusions and techniques, creating interactive effects for television and multimedia and writing about the paranormal. Max Maven appears in the Magic of the Mind Illusion in the California Science Center's new traveling exhibit, Magic: The Science of Illusion.

Chung Ling soo

Chung Ling soo

Chung Ling Soo was the stage name of American magician William Robinson. He was inspired to take the name by the work of magician Ching Ling Foo.
Ching Ling Foo was born Chee Ling Qua in 1854 in Beijing, China. He studied traditional Chinese magic and became a well-known and well-respected performer there. In 1898 he brought his show to the United States for a very successful tour. In his show, he breathed smoke and fire and produced ribbons and a fifteen foot long pole from his mouth. Ching Ling Foo caused a sensation when he took an empty piece of cloth, produced a huge bowl, full to the brim with water, and then pulled out a small child!
While Ching Ling Foo was in New York, he offered a reward of $1,000 (in those days, a great deal of money) to anyone who could produce a bowl full of water like he did. He did it for publicity—Ching Ling Foo never actually meant to hold a contest, but American magician William Robinson didn't know that.
William Robinson was a New Yorker from a Scottish family who sometimes worked by himself as a magician, but also worked on-stage and built props for other magicians like Harry Kellar, Alexander Herrmann and Adelaide Herrmann. Not long after Ching Ling Foo refused to let William Robinson try for the $1,000 reward, Robinson went to Europe with a new Chinese-style show of his own and recreated himself as the magician Chung Ling Soo.

Robinson, under the stage name Chung Ling Soo, called himself "The Original Chinese Conjurer." Even offstage, he was known as Chung Ling Soo. When the press wanted to interview him, he brought an "interpreter" because he claimed not to speak English. From the newspaper stories, it sounds like all of Europe believed that he was actually Chinese.
In January of 1905, Chung Ling Soo began performing at the Hippodrome Theater in London. That same month, Ching Ling Foo's show arrived and opened at the Empire Theater, only 100 yards away. The two magicians had very similar names and posters, and both claimed to be "The Original Chinese Conjurer." The English public was fascinated. Finally, Ching Ling Foo sent out a challenge. It read: "I offer £1,000 if Chung Ling Soo, now appearing at the Hippodrome, can do ten out of my twenty tricks, or if I fail to do any one of his feats."
The newspapers loved it. Each magician called the other names, claimed his rival was lying, an impostor. Finally, a date was set for the competition. Chung Ling Soo was there at the appointed time, ready to win, but Ching Ling Foo never arrived. Once again, no money changed hands. The newspaper "The Weekly Dispatch" wrote "and the questions arise: Did Foo fool Soo? And can Soo sue Foo?" The public declared Chung Ling Soo the winner and he tour the world with great success for the rest of his life.

HOUDINI

HOUDINI

The name Houdini still means magic. No lock, straitjacket or shackle could hold him. Born Erich Weiss in Hungary, in 1874, he came to the United States with his family as an infant. He created the stage name Harry Houdini, after famed magician Robert-Houdin. He turned pro at age 17.
His death-defying escapes in the early 20th century fascinated audiences, particularly the many European immigrants. They saw this small immigrant beat impossible odds. Seeing him gave them hope for their own lives.
Houdini's milk can escape
Houdini is shown here performing his famous milk can escape. Stagehands filled the can with water. A handcuffed Houdini tucked his body inside the can. The steel cover went on, locked with padlocks. Then the crew pulled a screen forward and around the can. After an endless two minutes, Houdini appeared from behind the screen soaking wet and out of breath.
Houdini devoted a large chunk of his time and effort towards discrediting mediums, who claimed to contact the dead. In the 1920s, spiritualism was quite popular, and people spent a lot of money paying for messages from loved ones who had died.
Some say he worked against mediums because he wanted to contact his dead mother and several mediums had claimed that they had reached her, only to disappoint him when they did things like give Houdini her message in English, when his mother spoke to him only in German.
"I saw his show twice while in Chicago. To say I was astounded, surprised and delighted is putting it too faint." -Dr. A.M. Wilson in the magicians' magazine,"The Sphinx," May 1926
Houdini searched for (and failed to find) a medium who could do something under test conditions that he could not duplicate. He studied their methods and the tools they used. He wore disguises to attend seances anonymously.
The magazine Scientific American offered a prize of $2,500 to a medium who could produce evidence of ghosts under controlled conditions. Houdini was one of the investigators on the team, and one of the most skeptical. It was partly due to his expertise as an escape artist that no one ever took the prize.
Houdini died in 1926 on Halloween.

HISTORY OF MAGIC

History of Magic

1700 B.C.
The first magic tricks began around 1700 B.C.
The first magic trick was the cups and balls trick.

Sixteenth Century
The first magic books began to appear around the sixteenth century.

Eighteenth Century
Magic tricks in the eighteenth century were mainly entertainment.
Magic tricks as entertainment were very popular in Europe.

Nineteenth Century
John Nevil Maskelyne opened the first magic theater in London in 1873.
It was also the age of technical magic.

Twentieth Century
Many magicians became popular from traveling magic trick shows.

Present Time
Many theaters have closed.
Many magicians are broadcast on television to become popular instead of using theaters.
The cups and balls trick is still very popular among professional magicians.